Film: Simha
Rating: 2.75/5
Banner: United Movies
Cast: Nandamuri Balakrishna, Nayantara, Sneha Ullal, Namitha, K R Vijaya, Saikumar (Malayalam), Hemanth, Rehman, Kota, Brahmi, Ali, Venu Madhav, Dharmavarapu, L B Sriram, Krishna Bhagawan, Jhansi and others
Music: Chakri
Cinematography: Arthur Wilson
Editing: Kotagiri Venkateswara Rao
Story, dialogues, screenplay, direction: Boyapati Sreenu
Producer: Paruchuri Kireeti
Release date: 30/04/2010
Yuvaratna is back and this time he has come up with a rather high voltage treat. How strong he has been and how the audience has received him this time, let us see.
Story:
Sriman Narayana (NBK) is a lecturer at a college and he is known for his strict way, he doesn’t stand injustice and bashes the bulbs out of anyone. In this process, he meets Janaki (Sneha) and she falls for him in due course. But Janaki has got a flashback which has to do with Sriman Narayana as well. What is that flashback? Who is Sriman Narayana? All this forms the rest of the story.
Performances:
Balakrishna has come back to his original form with his punch dialogues, typical body language and mass appeal. However, age is showing on him and voice has stuttered a bit, overall he carried his bit well with his blissful smile.
Sneha Ullal is sweet but her blank expressions still continue. She must learn to open her mouth and speak while saying the dialogues. Looks wise she rocks.
Nayantara looks elegant and is all decked up like a bride at all times. Her role was brief but she did justice to it.
Namitha covers half of the screen and seems to be building up pounds with each passing film. It is about time she does something about her flab.
K R Vijaya has come back after a hiatus of sorts but she still has that composure and grace, she was the apt choice for her role.
Sai Kumar (Malayalam) was okay, Aditya Menon was apt, he has strong screen presence, Brahmi was wasted, Ali was not used, Krishna Bhagawan was barely there, Venu brought few forced smiles, Rehman was standard, LB was regular, Kota was nice, Jeevi, Kinnera, Shravan, Anand Bharathi, Sana and others did their bit to add value.
Plus Points:
Music and songs
Background score
Minus Points:
Weak Comedy tracks
Old story line
Analysis:
After a long gap, it’s a relief for Balakrishna’s fans. The movie scores good this time. But there is no freshness in story line or narration part. It’s the same old cutting heads with axe and there is some change in the design of weapon. The climax sequence is lifted from Magadheera with the fight scene in the same old place where the protagonist’s father fights and dies.
The dialogues of Balayya brought good response in theatres:
Nenu maatladetappudu nee chevule pani cheyyali. Adi tappa vere edainaa pani cheste neeku next birth day undadhu.
Charitra srushtinchalanna, tiraga raayalanna maa vamsame cheyyaali
Although they aren’t great dialogues to underline, the fans those awaited an action packed movie from many years are taking them as holy sentences.
In a fight scene Balayya’s punch of the fist lands on the face of a patient who lies in coma for 28 years. The patient gets up instantly. Doctors get stunned and exclaim, “Wow! What a wonder. Science andani power itani punch lo undi”. Thank god! The director limited the exaggeration with one scene. Otherwise, it would have become another omnibus of exaggerations.
Songs scored good marks on a whole.
‘Simha Simha…’ was shot on Namita and Balakrishna and it’s visually just ok.
‘Orabba..’ is the number shot in a pub with Balayya, Namitha and Sneha Ullal. When Sneha Ullal was seen in a frame with Namitha, she looked like a scooty beside lorry.
‘Bangaru Konda..’ has captivated with rich costumes on Nayantara and Balayya.
‘Kanulara..’ is on Nayan, Balayya and family members in temple background which is good to watch
‘Janaki Janaki..’ is with Balayya and Sneha Ullal and that’s good to watch.
The song ‘Achcha hai acha hai…’ is missing totally.
First half is average with no exciting moments and the second half is packed with high dose action-, although predictable. On a whole, it’s a treat for fans, headache for family audiences and a disappointment for those who wish to watch something new and fresh.
Bottom Line: Better than Balayya's recent movies.
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